How To Choose The Best White Balance

“If you shoot in color, even in those days to film,” said Lynn Eodice “, you had to buy film corresponds to the color temperature of the main light. For example, if you’re shooting indoors under artificial lighting, you bought a tungsten-balanced the film. for daily balanced film you have purchased. Today, digital cameras to solve the problem with a team called the color balance, white balance, the device tells you exactly what light source you use. “

Most cameras offer a selection of white balance, said Lynn Eodice. Here is his conclusion:

* Auto WB – this is the default, in which the camera measures the light color, and makes an assumption about the source. In many situations, it works well. But if you want to focus on the best setting for your lighting situation, you may need further refinement. Read on!

* Daylight – Compared to a thin film of last year, but more bluish-white tone.

Shadow – This option adds a little warm, reddish blue shade to counteract conditions. This parameter is used when shooting in the shade or on cloudy days should be.

* Cloudy day – it will help to warm tones create a gloomy day, but not as much as the installation of the shade. There’s a nice turn in the late afternoon on the stage, and Wednesday is my choice for most outdoor shots, even on a sunny day.

* Tungsten – This option adds a bit of light blue for the excess of reds inside to absorb and give you a nice neutral.

* Fluorescent – This setting will produce against the cold, greenish-white fluorescent lamps, fluorescent lamps, the various types of light.

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